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Era
The Tortured Poets Department
Language, performance, and emotional exposure
A work preoccupied with language — how it reveals, distorts, and performs. The writing becomes denser, more referential, and at times deliberately excessive, using literary forms and allusions to explore the tension between sincerity and performance.
Songs
31 tracks
Fortnight
The Tortured Poets Department
My Boy Only Breaks His Favorite Toys
Down Bad
So Long, London
But Daddy I Love Him
Fresh Out the Slammer
Florida!!!
Guilty as Sin?
Who's Afraid of Little Old Me?
I Can Fix Him (No Really I Can)
loml
Romantic loss · Confessional
I Can Do It with a Broken Heart
The Smallest Man Who Ever Lived
The Alchemy
Clara Bow
The Black Dog
imgonnagetyouback
The Albatross
Chloe or Sam or Sophia or Marcus
How Did It End?
So High School
I Hate It Here
thanK you aIMee
I Look in People's Windows
The Prophecy
Cassandra
Peter
The Bolter
Robin
The Manuscript
Patterns in this era
Motifs & Symbols
Ghosts · Fire · Haunting · Heaven · Hometown · Suits · Hell · Sacrilege
Themes
Intrusive thoughts · Business or Industry · What Might Have Been · Memory · Anxiety · Infidelity · Romantic loss · Storytelling
Literary Devices
Rhetorical Device · Figurative Language · Language & Diction · Narrative Device · Sound Device
Literary References in this era
13 references
Just Kids
Allusion
Lady Macbeth — the blood stain
Allusion · Thematic echo
Just Kids
Thematic echo
e.e. cummings — unconventional capitalisation
Allusion
The Winds of Fate
Allusion · Thematic echo
Field of Dreams (1989)
Allusion
Water Lilies / Impressionism
Allusion
T.S. Eliot — "the purpose of literature is to turn blood into ink"
Thematic echo
Blowin' in the Wind
Allusion
The Fates (Greek mythology)
Allusion · Thematic echo
The Purple Rose of Cairo (1985)
Thematic echo
The Wizard of Oz — The Cowardly Lion
Allusion
Writing as pain / pouring yourself into work
Thematic echo